What is Triangle
Modernist Houses (TMH)?
TMH is the
website for Triangle Modernist Archive, Inc., a North Carolina
nonprofit organization committed to documenting, preserving, and
promoting modernist architecture.
TMH is an
award-winning educational archive of hundreds of cool Triangle
houses and their architects to remember and revive the area's
legacy of great architecture. We host popular Modernist house
tours, movies, and trips, giving the public access to the most
exciting residential architecture, past and present. Our events
raise awareness, connect people with great design, and help
preserve these exceptional "works of art" for future generations.
What is a
Modernist house?
Modernist design is characterized by features such as
combining traditionally separate common areas (like the
living room and the dining room, for example), open
interior floor plans with vaulted ceilings, large and
numerous windows, flat or low pitched roofs, long exposed
beams, extensive use of glass to bring in natural light,
and aesthetic geometric forms. See
here
for an excellent review of Modernist types.
How many Modernist
houses are there in the Triangle?
An
entirely unscientific
estimate is about 700, not many for a metropolitan area which
will reach two million in a few years.
Modernist design
is rare in any housing market. However, we have more than
anywhere else in the United States except for Los Angeles and
Chicago. New Canaan CT is number four.
Why aren't Modernist
houses more popular?
Modernist houses truly rock, if you are into this kind of thing.
Sadly, most people aren't. The staggering
failure
of modernist design to catch on with homebuyers is disappointing
for its few but loyal admirers. The general public tends to
think Modernist homes are cool but consistently buy more
traditional designs. Except in rare cases, like
Arapahoe Acres
or
Glenbrook Valley,
unconventional houses are considered slightly treasonous
anomalies to the conservative homeowners association mindset.
What is "brilliant" to an architecturally-inclined person is
often unsettling to the neighbors. Maintenance can be a
problem, too. The bolder the design, the more likely a
house will have water or structural damage over time. The
good news is that materials science has finally caught up with
modernist design, so most new houses don't have these problems.
And, like other works of art, these houses tend to be more
expensive than average.
Architecture critic Colin Rowe
once said that "modern
architecture’s fatal flaw is when architects "stipulate
an intrinsic connection
between the form of a building and the condition of society."
In other
words, modern design's effect on social change can, and often
is, overestimated by the profession (and its fans).
As former
Modernist homeowner Lynda Calabrese of Charlotte said,
"People want to be safe and they want to be like everyone
else. That's why everyone shops at The Gap. Realtors
don't even like to use the word 'contemporary' in their
advertisements. It's like the curse."
Who lives in Modernist
houses?
Modernist houses are generally more works of art than
construction, and the general public has little taste for living
inside art. However, artists, academics, architects,
children of architects, and all their patient spouses typically
love to live inside art.
Are Modernist
houses endangered?
Yes, especially those built in the 1950's and 1960's.
Their locations, often on prime real estate inside cities, are
worth much more than the houses, making demolition and
development an attractive option. For example, see
the sad fate of the
extraordinary
Catalano
house, Raleigh's internationally known landmark.
By networking current owners and providing the public detailed
information, histories and maps, we help endangered houses be
purchased or otherwise preserved.
|
2011-2012 TMA Board of Directors

The Board of Director's theme for the next two years is Back to the
Future.
Left to Right: Deborah Chay, Sharon Glazener / Principal, Bell
Glazener Design Group (Vice Chair and Secretary), George Smart /
Managing Partner, Strategic Development Inc. (Board Chair),
Eleanor Stell / NC State University, Deborah Rodgers.
Missing: KC Ramsay. Yes, the car is a
Delorean and the house is a
Lustron. Photo by
Allen Weiss.
2011 TMA Advisory
Council

Left to Right: David
Hill/NCSU College of Design, Doug Brinkley/PBC+L, Dail Dixon,
Jessica Johnson Moore/More Space Studio, Jerry Nowell/Nowell's Contemporary
Furniture, George Smart, Chris Chinchar, John
Morris/Goodnight Raleigh, John Chiles, Erin Sterling Lewis/in
situ studio, Tobias Kaiser/Modernist Realtor, and Robin
Abrams/NCSU College of Design. Not shown: Thomas
Crowder/Architektur PA and Kim Weiss/Blueplate PR.
2009-2010 TMA Board of Directors

Left to Right: Sharon Glazener / Principal, Bell
Glazener Design Group (Secretary), Dr. Monica Hunter
(Treasurer), Emily Kass / Director, UNC Ackland Art Museum,
Mack Paul / Partner, K&L Gates (Vice Chair), George Smart /
Managing Partner, Strategic Development Inc. (Board Chair),
Eleanor Stell / NC State University, Lesley McAdams.
Photo by Audie Schechter.
2010 TMA Advisory
Council

Left to Right:
Rusty Long/Davenport Architects, Erin Sterling/Frank Harmon
Architects, Bill Hopkins/Hopkins McClure, Jane
Thurman/KCI, Theresa Rosenberg, Leilani Carter, Khalid
Almo/BBH, Vincent Whitehurst, Debra Smith/Modern Home
Network, and Kim Weiss/Blueplate PR. Not
shown: Elizabeth Sappenfield/Preservation North Carolina.
Photo by George Smart.
2009 TMA Advisory
Council

Left to Right: KC Ramsay / Principal, Craige and
Van Roden Photography, Anne Stoddard / Principal, The
Stoddard Group, Arielle Schechter / Principal, Arielle
Schechter AIA, Sally Greene / Attorney, Anne Seeley /
Graduate Student, NCSU College of Design, Becky Shankle /
Principal, Eco-Modernism, Heather Rule / Designer, BBH
Design, Bob Langford / Senior Producer, Back Home
Productions.
Public
Comments
"Thank you so much for putting my parent's house on the
website (which is a great site, by the way). I really
appreciate your doing it." -- Lyn Satisky
"You are doing a wonderful service to
the modernist community in North Carolina." -- Peter Simons
"George, thanks for the lovely spot on
your website." -- Ellen Cassilly, Chapel Hill
"Your website is
incredible. Thanks so much for taking the time to
research and put it forward. I believe that educating
the public about modern design is the only way the it will
not be seen as "ugly" or an eyesore and people need to know
these are in their own backyard. Thanks again." --
David Fish
"As usual, when the newsletter arrives, I
get totally caught up in all of the treasures it holds. I'm
so glad to be part of this Google Group." Jan Schnurr
""Thanks so much for all you do. The website is just
wonderful and I enjoy each and every update you send!" --
Audie Schechter, Chapel Hill
"Thank you for keeping us informed about the history and
preservation of modernist homes. Your website has
opened my eyes to a whole world of such beautiful homes.
It reminds me so much of my father and my family." -- Betty
Anne Haskins Schlegel
"May I just say that your website has brought me great joy. I
love mid-modern homes and I've always wanted one. I
want to say thank you for a great website filled with
tremendous and valuable information." -- Arlene
Leveille, Durham
"You have done a
marvelous job with this web site. It really rocks.
Every time I browse I see something new. Keep up the
good work." -- William C. Correll, Jr.
"The NYC trip was a
wonderful outing. I especially enjoyed the Saarinen
exhibit, the TWA Terminal, and the Smith House. During
the late 1950’s when my interest in architecture was
emerging, I became fascinated with Saarinen’s work. I
recalled his portrait on the cover of Time magazine in 1957,
and I visited the TWA Terminal in 1964, when my father drove
our family to NYC to see the World’s Fair in Flushing
Meadows. He had visited the Chicago World’s Fair of
1939, and he wanted me to see the architectural wonders in
New York. Viewing the ruins from the bus during our
tour last Friday was heart wrenching. When I attended
graduate school at MIT, I had a chance to attend worship
services at the MIT Chapel and attend meetings in the Kresge
Chapel, both designed by Saarinen. Later, when I was in
the US Army stationed at Ft. Benjamin Harrison in Indiana, I
had the chance to visit Columbus, Indiana and view Saarinen’s
church with the tall, elegant steeple he designed for the
congregation attended by the Irwin Miller families who
sponsored other prominent architects in the city." --
Arthur Clement
"I enjoyed seeing
your note of thanksgiving......we should also thank you for
what you have accomplished in putting this site together.
You have put a dramatically heightened appreciation of good
Modernist design on the map and in the minds and hearts of
many people who needed something like this to focus their
attention. We, the architects, are particularly
appreciative, and I know that your dad would be very proud of
what you have done with this."
|

2011 Anthemion Award from Capital Area Preservation.
2011 Advocacy Award from Preservation Durham.

2009 Sir Walter Raleigh Award for Community
Appearance from the City of Raleigh.

2009 Paul E. Buchanan Award from the Vernacular
Architecture Forum, established in 1993 to
recognize contributions to the study and
preservation of vernacular architecture and the
cultural landscape that do not take the form of
books or published work.

2008 Gertrude S.
Carraway Award
of Merit by
Preservation North Carolina
for
individuals and organizations that have
demonstrated an outstanding commitment to
promoting historic preservation.

2008 Award of Merit by the
Preservation Society of Chapel Hill
for the effective use of the internet as a
educational and preservation tool.
TMH is a member of:
and

|